Working from the heart of rhythm, Zuleikha teaches throughout the world. Zuleikha offers participants a chance to explore the open world of feeling through the physicality of movement. Using world music, chant, and poetry, a spacious atmosphere becomes an invitation to commune with one’s innermost feelings. Dance serves as a vehicle to “let go” and enter the wilderness of the spirit. Movement is a means of bringing the deepest intention into being.
Zuleikha often brings live rhythmic accompaniment to her workshops. Dance and drum share the language of rhythm. Humans participate in ceremonies with movement as a means of intensive learning and communicating with the knowings inside.Read More »
THE DANCER IS IN THE DANCE
“Zuleikha…The comedy, grief, longing, silliness, and joy of being human come through her beautiful, very intelligent, very funny presentations. She has been apprenticed to many traditions, almost all of them, but her combining is unique.” — Coleman Barks, poet and translator of Rumi
Inspirational performing artist and storydancer, Zuleikha, a whirlwind of spirit, rhythm, and dance, transports her audiences with stories of nature, world lore and life itself.
Unique and provocative, Zuleikha’s soul-stirring one-woman performances combine creative expression with embodiment of story, dance, rhythm, mimicry and humor. The stories, animals and feelings she dances bring delight as she mirrors the journey of the soul. In the mesmerizing flow of living traditions and the humor and sparkle of the ancients, Zuleikha reveals the soul of our common humanity.
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International storydancer, performer, educator and humanitarian. Zuleikha grew up in the San Francisco Bay Area, a center for cultural interchange and artistic innovation. She studied Western classical music, and devoted years to the exploration of so-called “natural movement” and avant-garde dance with choreographer Anna Halprin. Interested in how different cultures find expression in movement, Zuleikha also studied the foundations of Chinese martial arts, esoteric therapeutic movement, and Japanese and Balinese dance. She attended the Ali Akbar College of Music, which was the first classical Indian music college in the West, and later studied with the Afghan musician Ustad Hashim Chishti, who was an exponentmand master of the myriad expressions of North Indian classical music, including melody (raga), rhythm and dance.
As Zuleikha’s practice of various art forms and sacred traditions deepened, she became aware of profound commonalities. She realized that “underlying all of these creative expressions are ancient technologies containing wisdom on how the body, mind and spirit come together through movement.” In performance, Zuleikha started to work with a synthesis of dance, storytelling, poetry, music and humor. She developed movement techniques of body, mind and spirit awareness that have become integral to her presentations. For example, she performs her own style of whirling through focusing on “the roots of inner space.” Zuleikha’s “whirling” is considered by many to be one of the highlights of the Rumi Concert, an inspirational collaboration among Zuleikha, Coleman Barks, the well-known poet and interpreter of Rumi, and world class musicians. Presented to audiences throughout the world, the Rumi Concert exemplifies the connection between artistic expression and the inner experience of the Divine.
(Excerpt from article about Zuleikha, “The Dancer is in the Dance,” by Susan Skeele for SUFI, Issue 85, Summer 2013